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Characters are arguably the most important part of any work of fiction. A good character has depth—they live and breathe on the page. I’ve long said that I’ll forgive almost any plot hole as long as I’m invested in a character. Your reader becomes invested in your character when they want to know what’s going to happen to them, when they care if your character succeeds.
Reader… keep reading
My last post on this topic covered worldbuilding with a purpose, so now I'd like to explore the opposite approach. The truth is that not all stories need extensive worldbuilding, especially when they take place in familiar settings and not on imaginary worlds or some high-flying epic environment. But sometimes you want to do it anyway. Maybe you do it because it's fun, or you're… keep reading
Genre is a literary term used to describe categories of fiction. You'll recognize the popular ones, which turn up as special sections at your favorite bookstore: science fiction, fantasy, romance, mystery, and horror. It's is a handy way to group similar types of stories, but genre is often misunderstood. For example, many authors and readers assume that genres are fixed and… keep reading
Unpublished writers often wonder how putting some of their work up for free online will affect their writing career. Will it hurt or help? Well, in my case it eventually led to my first book deal. Here’s how everything went down.
In 2017 I started serially posting a novel to Wattpad (the world’s leading online story-sharing site) and as of January 2020 that same book became… keep reading
Fiction writers often strive to draw readers deep into the pages of their works. We know the best stories are the ones that make time seem to stop. So what makes a fictional world seem so real readers forget where they are? It’s in the details.
Whether your writing style is rich with description or close and efficient, well-placed details are what bring a world to life. A common… keep reading
Short stories are a great way for up-and-coming writers to get some publishing credits and start to build buzz around their names. But don’t be fooled into thinking that since short stories are well, shorter, they’re easier to write or get published.
As a slush reader for the Magazine of Fantasy and Science fiction, I can tell you editors get hundreds, even thousands of… keep reading
I'll preface this post by saying that if you write straight-up action or pure fluff because that's what you enjoy writing, you can probably skip this week's lesson.
Still here? Great, then let's look at theme from a fresh perspective. We'll start at the beginning.
Themes. They're core building blocks of nearly every story, but they're also the… keep reading
Stories are, fundamentally, all about conflict.
In most stories, your protagonist wants something—to change a law or the government itself, to avenge a death, to hook up with the cutie, to dispel a curse—and your antagonist usually wants something that is in direct opposition of whatever the protagonist wants.
From those opposing wants come the narrative conflict and thus… keep reading
The term worldbuilding conjures images of secondary worlds, far away planets, and magic systems, so much so that it has become ubiquitous with writing and game development, particularly within fantasy and science fiction genres. But what exactly is it? How does one go about building a world in the first place? And what do you mean, I should consider worldbuilding even when the… keep reading
Which of your characters is going to lie to your audience, and why?
Firstly, it's always important to remember that no baddie ever actually thinks they’re the baddie. They are always hero of their own tales, so create them to believe that. Take Loki, from the Marvel Cinematic Universe films. His character arc is a great example of someone going to increasingly more desperate ends… keep reading
Now that we’ve established what a point-of-view (POV) and a Narrative Voice are, let’s talk about Unreliable Narrators. These are narrators who, either because of the way they interpret the world, omissions in their story, or outright falsehoods and manipulation, lie to the reader.
In the first part of this series, I talked about the narrator as the driver of a story, the… keep reading