Welcome to a new article series! This time, we’ll be talking about about the structural and narrative importance of SUBPLOTS. But before we dive in, let’s figure out what a subplot actually is.
So you’ve written a book, and you’re no amateur; you know the best writers get other eyes on their work, that art is not created in a vacuum. You’ve enlisted the help of beta readers, maybe friends or people in your writing circle, who will give you that valuable feedback you need. But when you finally get your work back, their comments leave you scratching your head.
Working as a sensitivity reader or a beta reader for a writer friend is one of the greatest joys of being part of the writing community. You get to read a new story before anyone else and you have the privilege of helping your writer friend turn their just-pulled-from-the-cave-wall stone into a highly polished, beautifully cut, sparkling diamond.
At this point you should have your story's mold and sand to fill it. Now you are ready to create your narrative lens, and the way you shape it provides more than just a point of view. You can use voice to convey many things in a story. For example, it's an especially good way to impart vital information, helping you avoid the dreaded infodump.
This is the second part of our discussion on narrative vocabulary and tone. To get the full context, start here: Narrative Voice: Vocabulary Choice and Tone (Part One) Part One focuses on vocabulary choice and ways to shed light on your characters' inner thoughts and world view thro
If your characters are the lens through which the reader experiences your story, and you the writer are the glassmaker, then vocabulary makes up the grains of sand which create the glass. Likewise, tone is the mold into which you pour your hot glass to set the lens.
