A lot of people write by the seat of their pants—that is, they rush headlong into writing a book without any sort of physical outline. That’s okay. Everyone’s writing process is different and if throwing yourself into a story without an outline works for you, there’s nothing wrong with that.
If you talk to other writers about writer’s block, a fair number will say there’s no such thing. Writer’s block is just lack of planning; someone once told me. Another said writer’s block just means I’m not trying.
This is the second part of our discussion on narrative vocabulary and tone. To get the full context, start here: Narrative Voice: Vocabulary Choice and Tone (Part One) Part One focuses on vocabulary choice and ways to shed light on your characters' inner thoughts and world view thro
If your characters are the lens through which the reader experiences your story, and you the writer are the glassmaker, then vocabulary makes up the grains of sand which create the glass. Likewise, tone is the mold into which you pour your hot glass to set the lens.
Now that you’ve decided who is going to be telling your reader your story, let’s take a closer look at the technical aspects of how that story is going to be conveyed, and what the impacts of these technical choices may be on a reader’s experience.
Stories are organized around a sequence of events that contain plot drivers that influence what happens in that section. Throughout time, storytellers have drawn upon common story structures that have evolved within their culture.
Once all the hard work of completing the very first draft of your novel is complete (yay!), and you’ve had the time to give it a look-over and fix all the spelling errors, typos, and other general first-draft inconsistencies and issues, the next thing you’ll likely want to do before you send the book off to editors/agents/publishers is to have a fresh pair of eyes look over the book an
My last post on this topic covered worldbuilding with a purpose, so now I'd like to explore the opposite approach. The truth is that not all stories need extensive worldbuilding, especially when they take place in familiar settings and not on imaginary worlds or some high-flying epic environment. But sometimes you want to do it anyway.
Genre is a literary term used to describe categories of fiction. You'll recognize the popular ones, which turn up as special sections at your favorite bookstore: science fiction, fantasy, romance, mystery, and horror. It's is a handy way to group similar types of stories, but genre is often misunderstood.