writing 101

June 10, 2021

Once all the hard work of completing the very first draft of your novel is complete (yay!), and you’ve had the time to give it a look-over and fix all the spelling errors, typos, and other general first-draft inconsistencies and issues, the next thing you’ll likely want to do before you send the book off to editors/agents/publishers is to have a fresh pair of eyes look over the book and give you feedback. 

May 9, 2021

My last post on this topic covered worldbuilding with a purpose, so now I'd like to explore the opposite approach. The truth is that not all stories need extensive worldbuilding, especially when they take place in familiar settings and not on imaginary worlds or some high-flying epic environment. But sometimes you want to do it anyway.

April 16, 2021

Genre is a literary term used to describe categories of fiction. You'll recognize the popular ones, which turn up as special sections at your favorite bookstore: science fiction, fantasy, romance, mystery, and horror. It's is a handy way to group similar types of stories, but genre is often misunderstood.

March 21, 2021

Fiction writers often strive to draw readers deep into the pages of their works. We know the best stories are the ones that make time seem to stop. So what makes a fictional world seem so real readers forget where they are? It’s in the details. 

March 7, 2021

I'll preface this post by saying that if you write straight-up action or pure fluff because that's what you enjoy writing, you can probably skip this week's lesson. 

Still here? Great, then let's look at theme from a fresh perspective. We'll start at the beginning.

Themes. They're core building blocks of nearly every story, but they're also the hardest to pinpoint or wrap your head around.  

February 20, 2021

Stories are, fundamentally, all about conflict.

In most stories, your protagonist wants something—to change a law or the government itself, to avenge a death, to hook up with the cutie, to dispel a curse—and your antagonist usually wants something that is in direct opposition of whatever the protagonist wants.

From those opposing wants come the narrative conflict and thus plot.

February 4, 2021

Which of your characters is going to lie to your audience, and why?

January 22, 2021

Now that we’ve established what a point-of-view (POV) and a Narrative Voice are, let’s talk about Unreliable Narrators. These are narrators who, either because of the way they interpret the world, omissions in their story, or outright falsehoods and manipulation, lie to the reader.

January 15, 2021

Once you’ve chosen your narrator, your next job is to figure out how they speak. Have a good long think about how their upbringing, social class, race, gender, sexuality, education, job, family home life, nation, etc. interconnect and serve to shape their morals, choices, preferences, and understanding of the world.

January 8, 2021

Depending on how your plot is structured and the way your scenes are woven together, both your narrative and your readers may benefit from being able to experience your story through multiple different narrators. 

The Easy Stuff

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