Short stories are a great way for up-and-coming writers to get some publishing credits and start to build buzz around their names. But don’t be fooled into thinking that since short stories are well, shorter, they’re easier to write or get published. 

As a slush reader for the Magazine of Fantasy and Science fiction, I can tell you editors get hundreds, even thousands of… read more

I'll preface this post by saying that if you write straight-up action or pure fluff because that's what you enjoy writing, you can probably skip this week's lesson. 

Still here? Great, then let's look at theme from a fresh perspective. We'll start at the beginning.

Themes. They're core building blocks of nearly every story, but they're also the… read more

Stories are, fundamentally, all about conflict.

In most stories, your protagonist wants something—to change a law or the government itself, to avenge a death, to hook up with the cutie, to dispel a curse—and your antagonist usually wants something that is in direct opposition of whatever the protagonist wants.

From those opposing wants come the narrative conflict and thus… read more

The term worldbuilding conjures images of secondary worlds, far away planets, and magic systems, so much so that it has become ubiquitous with writing and game development, particularly within fantasy and science fiction genres. But what exactly is it? How does one go about building a world in the first place? And what do you mean, I should consider worldbuilding even when the… read more

Which of your characters is going to lie to your audience, and why?

Firstly, it's always important to remember that no baddie ever actually thinks they’re the baddie. They are always hero of their own tales, so create them to believe that. Take Loki, from the Marvel Cinematic Universe films. His character arc is a great example of someone going to increasingly more desperate ends… read more

Now that we’ve established what a point-of-view (POV) and a Narrative Voice are, let’s talk about Unreliable Narrators. These are narrators who, either because of the way they interpret the world, omissions in their story, or outright falsehoods and manipulation, lie to the reader.

In the first part of this series, I talked about the narrator as the driver of a story, the… read more

Once you’ve chosen your narrator, your next job is to figure out how they speak. Have a good long think about how their upbringing, social class, race, gender, sexuality, education, job, family home life, nation, etc. interconnect and serve to shape their morals, choices, preferences, and understanding of the world.

And once you’ve got that down, think about how all of those… read more

Depending on how your plot is structured and the way your scenes are woven together, both your narrative and your readers may benefit from being able to experience your story through multiple different narrators. 

The Easy Stuff

This storytelling choice allows the readers to experience different moments and episodes within the plot, perhaps when one… read more